Posts Tagged ‘digital collage illustrations’

Introducing illustrator François Thisdale

Posted on January 26th, 2017 by Carolyn Hart

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Illustrator François Thisdale For nearly thirty years, François Thisdale’s has worked as an award-winning illustrator creating images for children’s books, news magazines, annual corporate reports, and book covers for several clients in Canada, United States, Korea, China, Colombia, Spain and France. His trademark multi-textured images are the product of a unique blend of traditional drawing, photography and richly textured painting techniques interwoven with digital imagery that creates particular atmospheres. He is the illustrator of Missing Nimama which recently won the TD Award and The Stamp Collector, which is on the International Board on Books for Young People’s Honor List. He has also won a Notable Books for a Global Society Award and the Crystal Kite Award; been a TD Children’s Book Award Finalist; an OLA Best Bet; an Amelia Frances Howard-Gibbon Illustrator’s Award finalist; and a Willow Awards finalist. François lives near Montreal, Quebec.

Tell us about your latest published children’s book. Who do you think should read it? What are you most proud of?

French Toast written by Kari-Lynn Winters and illustrated by François ThisdaleMy latest release is a picture book for age 4-7 entitled French Toast, a text from Kari-Lynn Winters published by Pajama Press.
This is a great story about difference, about colour of skin, about identity. Phoebe—half Jamaican, half French-Canadian—hates her school nickname of “French Toast.” Her grandmother uses descriptions of favourite foods from both of Phoebe’s cultures to celebrate the varied skin tones of her family. This is a great book for all ages and all colors.

For that book, the challenge was inspiring. I’ve worked around different atmospheres to match colour of food described in the story. I wanted to create poetic moods and incorporate food elements, like banana bread, tea, maple syrup or peach yogurt to buid special images. I think I’ve succeeded to create a surreal world that helps to dive into this dialog between Phoebe and her grandmom. Each spread becomes a special place to observe these characters. I’m very proud of the result. I particularly like the tenderness of this little girl and the natural tones of the illustrations.

French Toast at Amazon.com

French Toast at Amazon.ca

Thinking back to your own childhood, is there a particular author or illustrator who was a favourite? Why do you suppose that person’s work resonated with you?

As far as I remember, I’ve always been attracted by drawing and art in general. At the age of 4 or 5, my favorite series of books was Tintin and Snowy, by Hergé. I’ve been moved deeply by one of these books, Tintin and the Blue Lotus. All Tintin and Snowy books were very special to me but this specific book haunted me by the beauty of images, the strange architecture, its colourful exoticism. It was great to be able to follow the story without knowing how to read. I had the impression of traveling far, far away. This is the moment where I have started to draw for the rest of my life. Later on, I saw a photography of Hergé’s studio in a magazine for kids. I’ve been very impressed by that shot. I wanted to do that, to draw all day long!

When I left for China in 2003 to adopt our daughter, I admit that I’ve thought about my childhood, about that precious book and remembered how it inspired me as a kid. I didn’t know that China would give me the chance to become a father. I did lots of sketches in China and The Blue Lotus was still resonating inside of me.

If we were watching over your shoulder as you work on a book, what would we see? Where do you work? What does your writing / illustrating process look like? THISDALE Studio

I’m working from home, an antique farmhouse, my studio is a luminous space with two large windows. Every single day starts almost the same, a good teapot of Oolong tea. I need lots of music and life is good!

When I work on a picture book or on a book cover, I’m very passionate.

A picture book project starts with the reading of the manuscript. That’s the moment where everything is possible. Each text brings different challenges to face. I need to understand characters, to learn from their stories and to find a link with my own life. I’m very grateful about authors, this is a real gift to share the world of other creators during months.

The work begins with pencil and watercolour sketches, far from a final illustration but enough to give a direction to the book. I love to work on a sketchbook. I feel the same as when I’m traveling.

From there, with comments from my editor, I start to work on images. First off, I build the skeleton of my illustrations with photographic references, part of painting textures, different details taken here and there, and I create a collage of photographies and paintings details, in Photoshop. I print that proof on my wide format printer and I paint over with acrylic and different mediums. Then, I scan this image to work it again in the computer. I add textures, collage, elements painted aside like skies, painted textures and adjust contrasts, levels, saturation. This is a long process, a kind of alchemy. And I love it!

Thisdale Bike Riding I usually take an hour or so during the day to keep the shape and get my head cleaned. From April to November, I’m cycling around 35 kilometers a day. I love the sensation of the wind and the contemplation of landscapes. I alway carry my cell phone to take pictures that could improve the quality of my illustrations.

What are the biggest challenges of being an author / illustrator?

My work, as a freelance illustrator, asks me to be well organized and disciplined. I see illustration as a language where I need to “say” things differently, regarding the text. When I’m doing a picture book, I want to create a dance between words and images and to enhanced some parts of the story by creating specific moods. This is a link, a bridge between the text and the reader. An illustrator must dive into the story and search to understand characters, to feel the story from his guts. Obviously, this is a great way to express myself and I think that I became an illustrator for that reason: the easiness to communicate that way, to “tell” things differently without having to say a single word, to understand and share someone’s world.

Does music play a part in your writing/illustrating? If so, what sort of music do you connect with your work?

Yes! I’m listening to music all day long. This is a great part of my inspiration. Music is something essential for me, something natural. As long as I remember, music has always been present in my life. My father was a pianist, I’ve played guitar a lot and composed music for shortfilms in a period of my life, music is an extension of my sensitivity. I like a wide variety of styles, depending of the moment. Today’ I’ve listened to Andy Stott, a londonian DJ, Yussef Kamaal, Ray Lamontagne and Radiohead and ended my working day with John Dowland solo lute music. Music is a great chance to discover different cultures and to admire creativity.

If you could dine with any author/illustrator (alive or dead), who would you choose and why?

Hard to choose… Let me give you three names.

First, Eugene Delacroix simply for talking with him about his Moroccan sketchbooks. These sketches are still moving me. I visited Delacroix’ studio in Paris on place Furtenberg and had the chance to see some of these drawings.

I would have liked to meet Carl Beam, who died in 2005, an Ojibway painter who worked on large format paintings that incorporates photo-imagery. I love his work and his attachment to his roots. I would have liked, for sure, to discuss about his technique of blending photo and painting as well as knowing more about the true meaning of some pieces of art I love.

And finally Binette Schroeder, this wonderful German illustrator, to hear from this woman about her great career and to learn about this passionate person.


Bully 101 – Asking Some Tough Questions

Posted on July 11th, 2013 by Carolyn Hart

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image of cover art for Bully 101Bully 101 written and illustrated by Doretta Groenendyk
Anti bullying picture book published by Acorn Press


Be sure to check out our page about anti-bullying picture books for children.

Want to ensure you get your way?
Just mess up another kid’s day.
Push them and shove them and give them a scare.
Our bullies love fear and thrive on a dare.

Students who attend a class called Bully 101 learn that the best solution to feeling poorly about themselves is to make another child feel terrible. Bullies steal notebooks on the school bus, damage clothing, ostracize good students, spread rumors and make jokes. Sometimes they even resort to physical violence. For those who feel badly about their ‘course selection,’ there is an alternative class: Kindness 202.

Suited to primary and middle grade students, Bully 101 includes rich language: demoralize, humiliate, thrive and striking collage illustrations that will appeal to older readers.

Best at identifying bullying behaviors, Bully 101 implies that Kindness 202 is a happier, more inclusive choice. It does not problem-solve suggestions for victims or bystanders. Essentially the story suggests that choosing kindness will have a happier outcome for all – including those who are currently making poor choices.

Bully 101 takes a simplistic approach to the terrible problem of bullying that will not be appropriate in every circumstance but there are good reasons to use it as a discussion-starter in a primary or middle grade classroom. As well, Ms. Groenendyk’s fascinating illustrations could be used as a jumping off point for exploring this timely theme with young artists.

Bully 101 at Amazon.com

Bully 101 at Amazon.ca

Checking Out an Eco-Friendly Picture Book: George Saves the World by Lunchtime

Posted on June 20th, 2011 by Carolyn Hart

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Storytime Standouts looks at eco-friendly picture book, George Saves the World by Lunchtime.George Saves the World by Lunchtime Written by Jo Readman and illustrated by Ley Honor Roberts
Eco-friendly picture book about recycling, reusing and reducing waste published by Random House







You will also be interested in our page highlighting picture books about caring for our environment, the water cycle, reducing our environmental footprint and more. Terrific resources for Earth Day and Arbor Day.



Wearing a makeshift superhero cape, George announces his plans for the day, “I’m going to save the world!” Grandpa and his sister are willing to help and it is not long before the trio is finding ways to reduce, reuse, repair and recycle. Large, colourful collage ilustrations include photos and drawings. Readers learn about reducing electrical consumption by hanging laundry to dry, minimizing fuel consumption by walking or riding a bicycle and the importance of turning lights off. Suggestions are also made for recycling, donating, repairing and buying locally produced items.

This book was inspired by The Eden Project an educational charity in Cornwall, England. It is worth noting that a sidebar refers to most electrical energy being produced by burning coal. This may or may not be true, depending on where the book is read. In addition, a suggestion is made that animal waste can be added to compost. This suggestion should have included the proviso that the compost ought not to be used for fruit or vegetable crops.

Cheerfully making suggestions without sounding preachy or extreme, George Saves the World by Lunchtime will be a positive addition to an eco-friendly (preschool or kindergarten) classroom or a home library.

George Saves the World by Lunchtime at Amazon.com

George Saves the World By Lunchtime at Amazon.ca


Zookeeper Wonders ‘Where’s Walrus?’

Posted on February 28th, 2011 by Carolyn Hart

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Where’s Walrus? – written and illustrated by Stephen Savage
Wordless picture book published by Scholastic

Well-crafted wordless picture books are terrific for young readers. They provide opportunities for children to ‘read’ the illustrations and retell the story. They are also super for multilingual families – a grandparent who does not speak English can enjoy the story-sharing experience in any language.

Where’s Walrus? is a stylish, bold look at a daring escape from the city zoo. While most of the zoo animals and their keeper nap, a walrus decides it is time for fun. His first destination is just outside the zoo gates. He jumps into a large fountain and reclines next to a stone mermaid. With the keeper in hot pursuit, he shifts to a coffee shop, a store window and a construction site. Later, he helps a crew of firefighters and joins a dance team. Each time the walrus moves, he changes his head covering and manages to evade detection. Young children will enjoy “finding” the walrus while the zookeeper searches in vain. For older children, the absurdity of the premis will add to the humor.

Where’s Walrus? will be an excellent addition to a classroom zoo theme. Extension activities could include choosing new a head covering and ‘hiding’ Walrus somewhere new.

Where’s Walrus? at Amazon.com

Where’s Walrus? at Amazon.ca

Our page about Wordless and Almost Wordless Picture Books


Sir Cassie to the Rescue Celebrates Knights, Castles and Make Believe

Posted on February 7th, 2011 by Carolyn Hart

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Sir Cassie to the Rescue celebrates play and make believeSir Cassie to the Rescue – written by Linda Smith and illustrated by Karen Patkau


When Cassie reads a story about knights, the lure of the story prompts her to build a castle in her living room and enlist her brother to be a damsel. Her brother resists this role but does agree to be a fierce dragon. The entire family becomes involved in the make believe fun until the queen announces a noontime feast has been prepared and it is time to clean up the castle.

A cheerfully illustrated picture book, Sir Cassie to the Rescue celebrates make believe and play and will be enjoyed by children aged 4 to 8.


Sir Cassie to the Rescue at Amazon.com

Sir Cassie to the Rescue at Amazon.ca


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